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CNN’s Andy Cohen: ‘I hate white people!’

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Andy Cohen, CNN’s replacement for Kathy Griffin on their New Year’s Eve show with Anderson Cooper, proclaimed that he hates white people.

Evidence of the remark and other statements by Cohen are coming under scrutiny as the national rhetoric slides off the rails and the mainstream media — including those at CNN — are pushing divisive rancor. Cohen hosts a late-night talk show on the Bravo cable channel.

The common left-wing tactic in these matters is to claim that the left-winger in question was joking, as Snopes claimed in their ridiculous article excusing Democrat Congressman Eric Swalwell’s literal threatening of the American people with our government nuclear arsenal. But words have meaning, as the Left is always so quick to assert when a conservative gets slammed in a free-speech scandal.

Trending: Seven Shot in Louisville After Anti-Police Protestors Attempt to Flip Police Car

Here is Andy Cohen in 2016.

The top reply to Cohen’s tweet as of press time: “I hate that I was born white. I feel the entire guilty weight of my shameful history every day.”

Is CNN’s divisive rhetoric contributing to an epidemic of violence in America? You decide.

We reported: A man was captured on video sprinting across an intersection and sucker-punching a President Trump supporter who was peacefully protesting outside CNN headquarters in Atlanta, Georgia Saturday.

Even though the victim — a man from Clayton County, Georgia — declined to press assault charges, Atlanta police arrested and booked the assailant for disorderly conduct.

Watch The Video of the Stunning Attack:

Hollywood

‘Ghostbusters’ Director Blames Hillary Clinton’s Unpopularity for Failure of All-Female Franchise Reboot

Maybe your movie just stunk, dude.

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Nearly four years later, the all-female reboot of ‘Ghostbusters’ is now remembered as one of the worst atrocities in the history of cinema, and director Paul Feig is blaming anti-Hillary Clinton backlash for its failure.

“I think some really brilliant author … needs to write a book about 2016 and how intertwined we were with Hillary [Clinton] and the anti-Hillary movement,” Feig said while appearing on SiriusXM radio last week.

“Everyone was at a boiling point. I don’t know if it was having an African American president for eight years that teed them up, they were just ready to explode,” he added.

Feig is desperate to make excuses for his movie’s failure, rather than take personal responsibility for creating one of the worst movies in film history.

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“It’s crazy how people got nuts about women trying to be in power or be in positions they weren’t normally in,” Feig said. “It was an ugly, ugly year.”

The fake news media has been pushing the line that sexism doomed the movie since its historic failure at the box office during its summer 2016 release. However, ‘Ghostbusters’ creator Ivan Reitman believes that it was nostalgia that caused the backlash, not sexism. Viewers did not want to watch a ‘Ghostbusters’ reboot that was seemingly blasphemous to the original.

“I think there’s way too much talk about gender [when it comes to this film],” Reitman said during an interview with Mashable. “I think that many of the people who were complaining were actually lovers of the [original] movie, not haters of women.”

Feig refuses to admit that his creation was so horrendous and even hopes to release a grueling 3.5 hour directors’ cut of the flick despite the fact that nobody wants to see it.

Because the movie was such a massive bomb, the cast has been scrapped and replaced with a new cast for the upcoming re-boot “Ghostbusters: Afterlife.” The initial trailer was released last year to rave reviews.

It can be seen here:

Actress Leslie Jones, who starred in the failed all-female reboot, whined about the new movie that is set for theaters in 2021 for completely sweeping her movie under the rug. Similar to her director, she blamed Trump because everyone hated her awful movie.

Feig and Jones, in true liberal fashion, have refused to own up to their own failures. They will continue to create scapegoats instead of admitting the obvious about their horrendous movie that failed spectacularly in its feminist agenda of female empowerment.

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