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EXCLUSIVE: New Orleans-Area Eighth Grader Expelled For Defending Confederate Flag

UPDATE: Morehouse Parish School District superintendent Hazel Sellers confirmed that Amanda Jennings’ daughter was brought to an expulsion hearing for “treating an authority with disrespect and willful disobedience.” Sellers said that Beekman Charter School, which makes its own rules independent of the school district, “re-admitted (Jennings’ daughter) on a probationary basis” to an alternative school known as the “Fresh Start” program.
A charter school in Louisiana has expelled an eighth-grade student for walking out of class in protest of a liberal history lesson on the Confederate flag, according to the girl’s outraged mother.
Amanda Jennings told Big League Politics that her daughter has been expelled from Beekman Charter School in Bastrop, Louisiana for the rest of the school year for defending the Confederate flag. Bastrop is located about four and a half hours north of New Orleans.
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“I feel like my Heritage is constantly under attack,” Ms. Jennings said. “I am a minority here in this school district. I am white, but it is not my friends or community that I have a problem with.”
Her daughter is 13 and in 8th grade at Beekman Charter school, and had a History lesson on segregation during the Civil Rights Movement of the 1960s. On the third day of the lesson, her daughter was being taught that the Confederate Flag was a symbol of hate, and that is when her daughter walked out in protest, saying that flag is a symbol of her ancestry and they were not racists.
According to Amanda Jennings, her daughter was expelled for the remainder of the year.
According to Jennings, at the expulsion hearing on Wednesday, March 18, she was not allowed to present any evidence on her daughter’s behalf.
The principal Roy McCoy, has denied Amanda the opportunity to file a new complaint at the School. When reached for comment, Principal McCoy said he would make no comment about “confidential” information, he did warn us to not divulge any confidential information ourselves. When asked what would be confidential about this story, he said “You will have to decide that for yourself”.
A new grievance will be filed at Department of Education.
Jennings is a “Monument Defender” in New Orleans. She had been in NOLA on and off for three weeks defending the Confederate Monuments. She saw many people attacked by Antifa groups during that time and she feels that the protesters were not local protesters. She feels they were from New York, and they were paid agitators. She said they were especially violent to the black citizens who were there to defend the monuments, which was upsetting to her. Amanda , talking about her heritage, feels a sense of protecting her friends. She says she has many black friends. Further, her Confederate ancestors built schools for blacks, after the war, and she is proud of that.
“We all get along here for the most part. I can go into black churches with my Confederate gear on and no one gets upset. We help each other here”, Amanda told BLP. “It is the Government , through groups like Hillary Clinton’s Southern Poverty Law Center, or Obama’s Community Organizing, and our elected government who stirs the people up over the Confederate Monuments.”


It’s officially starting to become clearer and and clearer as to why the majority of Luke Combs’ music involves the artist crying about his girlfriends leaving him. The country music star and ‘She Got the Best of Me’ singer recently went out of his way to preach diversity and inclusion, while also disavowing the confederate flag in an interview with NPR.
Combs seemingly nearly sobbed as he begged for forgiveness for his whiteness and also participated in the ritualistic humiliation of country superstar and folk hero Morgan Wallen. Wallen has been effectively cancelled by our corporate rulers after footage of him saying the ‘n-word’ once as a joke surfaced online.
Combs was joined by fake country artist and techno-pop singer, Maren Morris, who campaigned for Joe Biden and endorsed the deadly BLM/ANTIFA riots that resulted in catastrophic death and destruction last year. The conversation was aimed at a music video that Combs had previously done with Upchurch which sinfully featured confederate flags and normal looking people.
“I apologize for being associated with that,” said Combs, “I’ve grown in my time as an artist, and as the world has changed drastically… I am now aware how painful that image can be to someone else. And no matter what I thought at the time… I would never want to be associated with something that brings so much hurt to someone else.” Combs also went on to apologize further, saying: “There’s no excuse for those images…”
A couple other notable moments from Combs during the interview that has now been copyrighted and wiped from the internet include:
“I can’t imagine, thinking back on all the times and places that I’ve seen that flag, if I were a Black man or a Black woman and [had to] just go, ‘This is definitely not somewhere where I’m being welcomed.'”
“Hate is not a part of my core values, and it’s not something that I consider a part of myself at all. I’m just looking… not to say, ‘I’m so sorry, please forgive me.’ I’m here to say, ‘I’m trying to learn. I’m trying to get better.’ I know that I’m a very highly visible member of the country music community right now, and I want to use that position for good and to say that people can change, and people do want to change, and I’m one of those people trying.”
People defending their whiteness in 2020 is the ultimate 🙄🙄🙄🙄🙄🙄🙄🙄
— MAREN MORRIS (@MarenMorris) June 16, 2020
True to her character, after Combs finished repenting to the neo-Marxist establishment, Maren Morris went on to preach her far-left ideology and disavow country music fans: “I appreciate Morgan saying ‘quit defending me’ to his fans, because it’s indefensible. He knows that. We know that,” Morris preached. “All we can do, so there isn’t an elephant in the room, is say that out loud, hold our peers accountable. I don’t care if it is awkward sitting down the row from you at the next awards show.”
“This isn’t about going after people or a fanbase for sport… That doesn’t give me pleasure… Your fans are a reflection of you and what you’re about, and I think that, you can’t control a human being, but you absolutely can let the know where you stand.”
“It’s protecting white people. It’s not protecting Black people. And that’s the long and the short of it.”
Morris went on to suggest that country fans should be policed and subjected to woke rules and regulations if they want her to appear at concerts:
“I don’t want to play those festivals anymore… If you were a Black person, would you ever feel safe going to a show with those flying in the parking lot? No. I feel like the most powerful thing, as artists in our position right now, is to make those demands on large organizations, festivals, promoters… That’s one of the things we can do is say, ‘No. I’m not doing this. Get rid of them.'”
It actually IS representative of our town because this isn’t his first “scuffle” and he just demolished a huge streaming record last month regardless. We all know it wasn’t his first time using that word. We keep them rich and protected at all costs with no recourse.
— MAREN MORRIS (@MarenMorris) February 3, 2021
Luckily for Morris, it isn’t likely many fans of her “country music” would even own confederate flags. Morris is most well know for her song with Zedd & Grey titled ‘The Middle’ which many would consider EDM or pop at the least:
Regardless of if you consider Maren Morris a serious country artist or not, she still wields lots of influence within the industry. Her forcing Luke Combs to disavow his own fanbase and then proceeding to fuel anti-white hatred is concerning. The fact that Combs, who reveres himself as a musical tough guy and some sort of god amongst the hillbillies, folded so quickly to cosmopolitan pressure should scare you. The country music industry is typically targeted toward conservative-leaning, rural Christians that love America (and the majority of them would probably be white). If country music falls, which you could argue that it already has, America’s most hated demographic may possibly see itself losing its last true safe haven in entertainment.
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