A young teenager has recently become a millionaire after a genius invention that appeals to kids of all ages.
Alina Morse, the 13-year-old “kidpreneur”, was expected to make about $2 million dollars in 2018 for her ground-breaking idea. As a kid, candy is a hot commodity – but also one that may parents place restrictions on for health reasons. Even at a young age, Morse knew there had to be an alternative to unhealthy candy. Thus, the creation of Zollipops, the tooth-friendly lollipop for kids. The website explains the creation of the product:
“When Alina Morse was seven years old, she went to the bank with her dad and the teller offered her a lollipop. While she really wanted to accept, her parents always told her that candy was terrible for her teeth. So she asked her dad, “Why can’t we make a lollipop that’s actually good for your teeth?” And in that moment the idea for Zollipops® was born! Together, Alina and her dad set off to make delicious lollipop treats that were actually good for teeth. In 2014, the first Zollipops treat hit the shelves: a vegan, natural, smart and yummy candy. Alina became known as the “Lollipop Girl,” a true Kidpreneur!”
“Success has been sweet, and Alina has also come up with “Zollidrops” and “Zaffi Taffy.” Her products can be found on Amazon and at Walmart, Target, Whole Foods and a whole bunch of other grocery chains,” according to Liftable.
According to the website and the Chicago Tribune, Morse’s dad told her to do the research for herself. “A younger Alina questioned her dentist and dental hygienist about natural teeth-cleaning ingredients. She went to YouTube to find out how to make candy. She tried her hand at making lollipops at home, but her father, a business consultant, suggested using a nearby candy manufacturer. Alina’s friends helped with the sampling and testing of the pops,” the Tribune reported.
The candy seems to be taking off thanks to its dedicated young founder. This business-minded young girl has a bright future ahead of her if she keeps the same dedication to bringing helpful products to the community.
Mumford & Sons Guitarist Swarmed by Fanatic Leftists After Praising Andy Ngo’s Book
Musicians are terrified to speak out against fanatic leftism.
Folk rock musician Winston Marshall was swarmed by furious leftists after congratulating journalist Andy Ngo on the publication of his new book, “Unmasked.” Ngo’s book breaks down Antifa’s model of attacking democracy and political violence in the Pacific Northwest and elsewhere, shining light on the street terror group’s extremism.
Marshall, the lead guitarist of Mumford & Sons, hailed Ngo as a “brave man” in a since-deleted tweet.
Antifa supporters were quick to attack the musician as a “Nazi,” unleashing the hate-filled vitriol commonly associated with the intolerant movement. Marshall’s Twitter feed is largely filled with support for Hong Kong demonstrators, a far cry from what leftists might expect from a “fascist.” The English guitar player’s band is known for songs such as “I Will Wait” and “Hopeless Wanderer.”
— Osman Faruqi (@oz_f) March 7, 2021
When I found out Mumford and Sons are Nazis: pic.twitter.com/pfJEGqHsUu
— Fat Vanilla Ice (@hobbsisme) March 6, 2021
Others pointed to the faux social media outrage as mere evidence of the Left’s intolerance and fanaticism.
Congratulations to @MrWinMarshall for showing us, once again, that the people who claim to be "tolerant", "kind" and "open-minded" are the most illiberal, hateful and intolerant around. I'll be going to as many of his concerts as possible.
— Konstantin Kisin (@KonstantinKisin) March 7, 2021
Ngo has been forced to flee the United States under a constant barrage of Antifa threats in recent months, with the street terror group determined to silence Ngo’s reporting on consistent property damage, anarcho-tyranny, and violent crime in Portland and elsewhere.
Unfortunately, Marshall has since deleted the tweet. It’s considered impossible to get anywhere in the mainstream music industry if you haven’t cravenly bowed before the false gods of ultraliberalism and identity leftism. While Marshall took a risk in even saluting Ngo’s work in the first place, he unfortunately appears to have backed down, to a degree, a sad lamentation of the state of mainstream entertainment and corporate culture.
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