A Massachusetts man with child rape and indecent exposure convictions is being released from jail on account of the risk he faces from the raging coronavirus epidemic. 54-year old Glenn Christie was released from the Massachusetts Treatment Center on Friday.
Christie had been previously released from prison on parole, following his conviction for repeatedly raping a 12-year old boy in the city of Lynn, Massachusetts. He was ordered back to prison after violating the terms of his parole agreement, but now he’s getting out because of the risk he faces as a result of the epidemic.
Christie had been a cellmate with an inmate who died of the coronavirus, and he apparently faces several serious preexisting conditions, according to his lawyers. The man uses a wheelchair, and has hypothyroidism, and several other possible medical conditions such as kidney disease.
In a tweet, Mr. Christie’s lawyer described the man as a “a perfect example of the sort of vulnerable person in need of release.”
Prisons and jail systems across the country- mostly on the east coast- have taken to releasing what they describe as mostly non-violent offenders to safeguard their staff and inmates. New York’s Rikers Island jail recounted releasing 300 misdemeanor offenders who were serving sentences of less than a year. Even though Christie was serving a year in the Massachusetts facility for violating the terms of his parole after initial release from prison, he wouldn’t meet the qualifications for coronavirus release used by other state and municipal corrections systems.
It’s probably safe to say that a man convicted of raping a child isn’t the kind of inmate that the public would want released in the midst of a medical pandemic.
CUTIES ON STEROIDS: HBO Show ‘Transhood’ Shows LGBT Cult Induction of Transgender Kids
These child abusers should be jailed.
A clip from a new HBO show “Transhood” is quickly going viral, showing an LGBT ritualistic cult induction of abused transgender children.
“Today we choose to recognize, honor, love and celebrate anyone here who would claim their identity publicly as lesbian, gay, bisexual, transgender, queer or questioning, intersex, pansexual, asexual, or any category that I left out,” the satanic priestess announced.
This is when an abusive monster of parent brought up their severely neglected children to announce their induction into the LGBT cult.
A child called “Phoenix” was brought up to the stage by her morbidly obese mother. Phoenix looked scared and apprehensive as the adult figures attempted to coerce the boy into saying he was a girl. When he refused, the mother just did it for him.
“May you be well, safe and whole. We honor you exactly as you are,” the cult chanted at the poor abused child as he was given a flower by the demonic priestess.
The clip can be seen here:
Beastly religion, abusing children. https://t.co/3p4RtPpbxT
— Richard (@Wildman_AZ) November 23, 2020
“Transhood” may have taken the prize from “Cuties” as this year’s most grotesque, perverted and exploitative show produced by Hollywood to victimize children.
Big League Politics reported months ago on how Netflix’s “Cuties” glorified a dance troupe of underage girls twerking to discover their sexuality and womanhood:
The child-exploiting Netflix film “Cuties” is drawing widespread anger across social media for its content sexualizing children, which critics believe is normalizing pedophilia.
The French producer of the film, Zangro, revealed in an interview with Variety that hundreds of little girls were brought in during the casting call and made to gyrate their bodies sexually at the behest of the movie’s producers.
“The casting process was a saga. We spent over six months and saw 650 candidates and it was only in the very last hour of the last day that we found Fathia. It was a really emotional moment,” Zangro said, referring to the young girl who was eventually cast in the leading role.
Zangro also spoke of the bizarre relationship the children in the cast had with the movie’s director, Maïmouna Doucouré. Doucouré is of African descent but referred to as French in spite of her origin.
“She has a deep and intimate relationship with them. She acts with them. She cries, and they cry. There’s a magical link and a deep sense of trust,” Zangro said.
Zangro confirmed that the movie was produced for the purposes of changing people’s perceptions with regards to child sexuality, with diversity used as the hook to promote this perverse content.
“We’re interested in telling stories that involve minority communities in France, such as Muslim communities and African communities,” he said.
“People tend to have fixed ideas on these issues and want to take a stand, but we’re looking for a non-judgmental approach, often exploring comedy. We think these are important projects that can change people’s preconceived views,” Zangro added.
The globalists are getting ready to add the P to the end of LGBT. This is the hell that tolerance has wreaked upon the West.
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