The film industry and mainstream media are now openly promoting Satan worship as being admirable and heroic, and the documentary Hail Satan? is receiving glowing press coverage as a result.
The Satanic Temple, with the assistance of lawfare from anti-Christian leftist special interest groups like the American Civil Liberties Union (ACLU), has re-branded itself as a religion and now are aggressively intruding on the public square.
While Christians are told to bake cakes celebrating sodomites and hand innocent children over to degenerates against their religious beliefs, Satanists are allowed to proclaim their support for the dark lord in public spaces – as the complete inversion of the notion of religious liberty is at hand.
The Guardian honors the satanists for their “prankster sensibility” as their organization attacks the foundations of civil society, and adds to the malady of what is already the world’s most persecuted religion.
“It became very apparent that there was a real need for what we were doing,” said Lucien Greaves, who works as the Satanic Temple’s spokesman.
“More and more, they try to whittle away the rights of others and define us as a Christian nation, to the extent that religious liberty applies to them alone. That’s just a scary circumstance for us to be in,” he added.
In actuality, more “rights” are being invented out of whole cloth than ever before by liberal bureaucrats and judges at the expense of the majority. The Satanic Temple is organizing to exacerbate that process, kicking Christians while they’re down.
As usual, the Satan worshipers claim they really don’t worship the dark lord as they attempt to pull the wool over the eyes of the unsuspecting public.
“The metaphor of Satan is just as important to a lot of us as it would be to anybody who takes it literally because we grew up in a Judeo-Christian culture,” Greaves said.
“It really does speak to us in a very pointed and poignant way about our place in our culture and what our affirmative values are … and, of course, it defines what we oppose: these kinds of theocratic norms and authoritarian structures,” he added.
Greaves has made clear that his Satan-worship cult is firmly opposed to President Donald Trump, and his group is subverting his push to defend Christianity in the country that they originally made great.
“We’re obviously on the defensive now,” said Greaves, “and it’s a frightening state of affairs in the US when you have a clearly deranged theocrat like Mike Pence as vice-president and a buffoon like Trump in office, and they’re willing to pander to their evangelical nationalist base.”
He, as is typical of opponents of the President, played the victim despite his organization’s hostile assault on Christianity.
“What you don’t see,” he said, “is when I was walking up to the podium, there were a bunch of people with guns loitering about, and they wanted me to know they were there. I ended up speaking with my back to them, which was rather harrowing. I’m kind of puzzled as to why nobody did take a shot, but that was a very clear possibility.”
Hail Satan? will debut in the United Kingdom on Aug. 23, as the sick liberals of the fake news media give credit to these creeps for ” trying to stop” Trump’s dark age.
‘Ghostbusters’ Director Blames Hillary Clinton’s Unpopularity for Failure of All-Female Franchise Reboot
Maybe your movie just stunk, dude.
Nearly four years later, the all-female reboot of ‘Ghostbusters’ is now remembered as one of the worst atrocities in the history of cinema, and director Paul Feig is blaming anti-Hillary Clinton backlash for its failure.
“I think some really brilliant author … needs to write a book about 2016 and how intertwined we were with Hillary [Clinton] and the anti-Hillary movement,” Feig said while appearing on SiriusXM radio last week.
“Everyone was at a boiling point. I don’t know if it was having an African American president for eight years that teed them up, they were just ready to explode,” he added.
Feig is desperate to make excuses for his movie’s failure, rather than take personal responsibility for creating one of the worst movies in film history.
“It’s crazy how people got nuts about women trying to be in power or be in positions they weren’t normally in,” Feig said. “It was an ugly, ugly year.”
The fake news media has been pushing the line that sexism doomed the movie since its historic failure at the box office during its summer 2016 release. However, ‘Ghostbusters’ creator Ivan Reitman believes that it was nostalgia that caused the backlash, not sexism. Viewers did not want to watch a ‘Ghostbusters’ reboot that was seemingly blasphemous to the original.
“I think there’s way too much talk about gender [when it comes to this film],” Reitman said during an interview with Mashable. “I think that many of the people who were complaining were actually lovers of the [original] movie, not haters of women.”
Feig refuses to admit that his creation was so horrendous and even hopes to release a grueling 3.5 hour directors’ cut of the flick despite the fact that nobody wants to see it.
— Paul Feig (@paulfeig) May 21, 2020
Because the movie was such a massive bomb, the cast has been scrapped and replaced with a new cast for the upcoming re-boot “Ghostbusters: Afterlife.” The initial trailer was released last year to rave reviews.
It can be seen here:
Actress Leslie Jones, who starred in the failed all-female reboot, whined about the new movie that is set for theaters in 2021 for completely sweeping her movie under the rug. Similar to her director, she blamed Trump because everyone hated her awful movie.
So insulting. Like fuck us. We dint count. It’s like something trump would do. (Trump voice)”Gonna redo ghostbusteeeeers, better with men, will be huge. Those women ain’t ghostbusteeeeers” ugh so annoying. Such a dick move. And I don’t give fuck I’m saying something!!
— Leslie Jones 🦋 (@Lesdoggg) January 19, 2019
Feig and Jones, in true liberal fashion, have refused to own up to their own failures. They will continue to create scapegoats instead of admitting the obvious about their horrendous movie that failed spectacularly in its feminist agenda of female empowerment.
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