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Pro-Feminist ‘Terminator: Dark Fate’ Bombs in Theatres as the Public Rejects Woke Entertainment

Fans are not interested in the latest installment of the franchise.

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Action movie Terminator: Dark Fate is bombing hard at the box office, as it is expected to rake in only $27.1 million domestically during its first weekend in theatres when the movie cost as much as $196 million to produce.

Factoring in marketing costs and other expenses, the film will need to gross $470 million throughout the world in order to just break even. It is not expected to come close to that mark, in what may be the final death blow to the beleaguered Terminator franchise.

The promotional scheme for Dark Fate has been centered around diversity and empowerment, with a cast of largely female and minority protagonists saving the world from futuristic despair. The movie is tanking with an audience that is growing sick of woke culture and are effectively voting with their dollars against leftist dogma.

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Natalia Reyes, who plays Dani Ramos in the movie, praised the cast’s diversity while being interviewed by Entertainment Weekly. The savior of the world from the previous movies, a white child by the name of John Connor, was replaced with a Latina female in this new edition.

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“[Film producer] James Cameron has always been great about changing the rules… I love that it just shows diversity without really trying. And I think that is actually different to what we are seeing around; it’s showing the world as it is, and it makes me really proud of the movie,” she said.

The movie begins in Mexico, shows images of migrants being mistreated and held in cages, features a gruesome scene where border patrol agents are viciously murdered, and even shills for Mexican beer at one point.

Vox praised Dark Fate in their review for its wokeness:

The screenplay boasts, in the manner of many Hollywood franchise blockbusters, a whole lot of screenwriters. There are eight credits spread among six men, along with five “story by” credits (including James Cameron himself) and three more screenplay credits. And somewhere along the way, someone noticed that the original Terminator film, despite having one of the greatest female action stars at its center in Sarah Connor, was still surprisingly man-centric. Sarah Connor wasn’t important because of herself but because she was the future mother of John Connor, the man who would save the world. Which seemed pretty natural in 1984. Although Sarah has always remained important to Terminator mythology, she’s been more of a Mother Mary figure (albeit a very ass-kicking one) than a savior herself. It’s her son that matters.

This sequel-reboot gives the writers a chance to undercut those expectations and inject some life into the series, something that’s always good after years of wallowing in stagnation. (The post-T2 box office returns have varied but tended to trend downward, and that’s not even adjusting for inflation.) As Dark Fate points out, women have always been central to the Terminator story, and one woman in particular: Sarah Connor. Linda Hamilton is awesome in Dark Fate; she’s the reason to see the movie. But there’s room in the story for many more women, particularly since the movie suggests that while mankind will always want to destroy itself, womankind might have some new ideas about living.

The leftist reviewer class is once again wholly out-of-touch with the sensibilities of the masses. Similar to what has happened with Watchmen and Batwoman in recent weeks, the public is now rejecting agenda-driven entertainment and proving the axiom “get woke, go broke” to be undeniable.

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Michelle Obama’s Influence Over Netflix Led to Release of Pro-Pedo Movie ‘Cuties’

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Netflix is under fire for distributing the pro-pedo flick “Cuties” over its streaming video service. The movie “Cuties” is about an 11-year-old girl who discovers her sexuality while twerking.

“Cuties” has been described by its apologists as a triumph of diversity and womanhood. It should come as no surprise that this content is getting distributed as former first lady Michelle Obama is an influential producer with Netflix.

Big League Politics reported three years ago on how the Obamas were using Netflix to distribute their political propaganda and promote their social agenda after leaving the White House:

Former President Barack Obama is currently in advance negotiations with Netflix to produce a series of shows through them. This will give the former President easy access into the living rooms of virtually every American in order to spread whatever propaganda he wants.

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The deal would pay both the former President, and his wife Michelle to provide exclusive content to the over 118 million Netflix subscribers around the world. It is unclear of the exact content that would be produced, but after looking at other content produced by Netflix, the shows being highly political wouldn’t be surprising.

After receiving massive investments totaling over $40 million from George Soros in 2015 and 2016, the content on the streaming service began to shift and include originally produced content with political agendas.

One show they released was titled “Dear White People,” and was extremely racially charged, as the name implies. They also released a show featuring Katie Couric that explores “gender identity,” while at the same time editing a portion of an old episode of Bill Nye the Science Guy, where Nye makes the claim that there are only two genders.

With former President Obama already going against the norm for other Presidents by attacking the current President, it’s clear that Obama is okay with getting divisively political. It would not be surprising to see his show used as a political weapon of the left.

Making matters even worse, Russia-gate villain and former national security advisor Susan Rice also sits on the Netflix board.

It should come as no surprise that Michelle is completely silent with regards to “Cuties.” This is the type of filth that her family is personally invested in promoting throughout the West. Her husband is the founder of ISIS, as President Trump so eloquently put it, after all.

Big League Politics has reported on how “Cuties” is mainstreaming child pornography and the sexualization of kids:

A Netflix film set to debut on Sept. 9 will feature profile an 11-year-old girl who joins a twerking dance crew to “explore her femininity.”

The film, called “Cuties,” will provide fodder for pedophiles and sexual deviants the world over. The description of the perverse movie reads as follows: “Amy, an 11-year-old girl, joins a group of dancers named “the cuties” at school, and rapidly grows aware of her burgeoning femininity – upsetting her mother and her values in the process.”

… The trailer has already inspired a lot of rage from YouTube critics who are sick of the LGBT agenda to sexualize and exploit innocent children.

“Jeffrey Epstein would have loved this show,” a user with the handle “MR. OBVIOUS” wrote in a comment.

“The premise is a dishonest one. One doesn’t have to be remotely religious to want to forbid their 11-year old daughter from twerking in a scantily clad clothing, but they have to make the main character a victim of a religious upbringing so that opponents of this movie would be seen as religious zealots,” commented user “zhengyingli” about the trailer.

“This looks so disgusting, I felt like I’m already on an Offenders list just watching this,” user “Junior Jr.” wrote in a comment.

“Not even trying to hide the pedo rings anymore,” wrote user “IchiPopp” in a comment.

Michelle and her husband represent the values of the third world, not the values of a Western Christian society.

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