An icon of American heritage and civilization, Plymouth Rock, was found vandalized and spray-painted upon Monday morning by criminals at its namesake in Plymouth, Massachusetts.
Plymouth Rock symbolizes the first arrival of the pilgrims from England in North America in 1620 A.D. The vandalism was found just weeks before a ceremony intended to celebrate the 400th anniversary of the pilgrim’s arrival in Massachusetts.
The large boulder is marked with the characters ‘1620’ to symbolize the pilgrims’ arrival. The rock was the first sight of those who disembarked from the Mayflower in the New World.
It’s unclear what the red spray-paint on the rock is intended to convey, but there’s a strong possibility the vandalism is motivated by hatred towards the icon of American culture.
In addition to the rock, the spray-paint vandals also targeted a nearby statue intended to commemorate the first pilgrims to arrive in North America.
We are saddened and sickened by the recent vandalism in our historic town. This is just one of our historic monuments that was hit. We will begin clean up as soon as possible and the police are investigating. pic.twitter.com/kQeTxO7sor
— Melissa Arrighi (@MelissaArrighi) February 17, 2020
It’s also noteworthy that the vandalism was found on President’s Day, suggesting a further possibility of anti-American hatred as a motivation.
400th anniversary celebrations of the pilgrims’ arrival are scheduled for April, and to this day are a point of pride for many of their descendants who live in Massachusetts.
The director of a Plymouth cultural and tourism agency, Lea Filson, expressed her disappointment to see the icon of America so disrespected.
“Seeing this type of disrespect for the historic reminders of the Mayflower story is both sad and unsettling. The outpouring of concern and anger over the incident has been a positive ending to a thoughtless gesture.”
The town of Plymouth has already removed the vandalism from the rock, and local police are investigating to locate the culprits.
Mumford & Sons Guitarist Swarmed by Fanatic Leftists After Praising Andy Ngo’s Book
Musicians are terrified to speak out against fanatic leftism.
Folk rock musician Winston Marshall was swarmed by furious leftists after congratulating journalist Andy Ngo on the publication of his new book, “Unmasked.” Ngo’s book breaks down Antifa’s model of attacking democracy and political violence in the Pacific Northwest and elsewhere, shining light on the street terror group’s extremism.
Marshall, the lead guitarist of Mumford & Sons, hailed Ngo as a “brave man” in a since-deleted tweet.
Antifa supporters were quick to attack the musician as a “Nazi,” unleashing the hate-filled vitriol commonly associated with the intolerant movement. Marshall’s Twitter feed is largely filled with support for Hong Kong demonstrators, a far cry from what leftists might expect from a “fascist.” The English guitar player’s band is known for songs such as “I Will Wait” and “Hopeless Wanderer.”
— Osman Faruqi (@oz_f) March 7, 2021
When I found out Mumford and Sons are Nazis: pic.twitter.com/pfJEGqHsUu
— Fat Vanilla Ice (@hobbsisme) March 6, 2021
Others pointed to the faux social media outrage as mere evidence of the Left’s intolerance and fanaticism.
Congratulations to @MrWinMarshall for showing us, once again, that the people who claim to be "tolerant", "kind" and "open-minded" are the most illiberal, hateful and intolerant around. I'll be going to as many of his concerts as possible.
— Konstantin Kisin (@KonstantinKisin) March 7, 2021
Ngo has been forced to flee the United States under a constant barrage of Antifa threats in recent months, with the street terror group determined to silence Ngo’s reporting on consistent property damage, anarcho-tyranny, and violent crime in Portland and elsewhere.
Unfortunately, Marshall has since deleted the tweet. It’s considered impossible to get anywhere in the mainstream music industry if you haven’t cravenly bowed before the false gods of ultraliberalism and identity leftism. While Marshall took a risk in even saluting Ngo’s work in the first place, he unfortunately appears to have backed down, to a degree, a sad lamentation of the state of mainstream entertainment and corporate culture.
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