A Seattle rap artist appears to be establishing his authority as the de facto “warlord” of a self-styled leftist state in the city’s downtown.
Reports from the scene of the Capital Hill Autonomous Zone indicate that Raz Simone, a Seattle rapper, has increasingly staked himself out as something of an authority figure within the jurisdiction. Witnesses describe Simone as asserting his authority over graffiti artists that attempted to paint over existing graffiti, threatening to shoot the street artists if they failed to obey his commands regarding new graffiti.
— RHGR (@RHGR) June 10, 2020
Some of the leftist anarchists who claim to have been involved in the original “creation” of the microstate have quietly expressed misgivings about Simone’s increasing position of authority in the autonomous zone, questioning whether their new warlord’s administration was any different from the centralized authority structure of the United States from which they claim to be seceding from.
ANTIFA operatives describe seeing Simone assault individuals present within the autonomous zone at least two times. One claimed that he is “becoming the very thing people didn’t want to begin with.”
Video footage of the incident seems to have been caught on camera. Chaz appears far more willing to engage in the use of force than many of the American police the Seattle leftists are pointing to as their oppressors.
Policing in the Capitol Hill Autonomous Zone by @RazSimone. There appear to be no body cameras, reports, or oversight and accountability. This was an attempt at de-escalation for spraying paint onto a building which resulted in an alleged assault. #chaz #FreeCapitolHill pic.twitter.com/dI1J6QNcpn
— TheWholeStory (@TheWholeStory6) June 10, 2020
The autonomous zone was only created earlier this week, and already, the anarchist fantasy of a true decentralized community structure without governance seems to be falling into tatters. Now, they stand slated to live out their utopian vision under the fist of a soundcloud rapper, in addition to facing possible operations to recapture the downtown Seattle state on the part of local law enforcement or the United States government.
Mumford & Sons Guitarist Swarmed by Fanatic Leftists After Praising Andy Ngo’s Book
Musicians are terrified to speak out against fanatic leftism.
Folk rock musician Winston Marshall was swarmed by furious leftists after congratulating journalist Andy Ngo on the publication of his new book, “Unmasked.” Ngo’s book breaks down Antifa’s model of attacking democracy and political violence in the Pacific Northwest and elsewhere, shining light on the street terror group’s extremism.
Marshall, the lead guitarist of Mumford & Sons, hailed Ngo as a “brave man” in a since-deleted tweet.
Antifa supporters were quick to attack the musician as a “Nazi,” unleashing the hate-filled vitriol commonly associated with the intolerant movement. Marshall’s Twitter feed is largely filled with support for Hong Kong demonstrators, a far cry from what leftists might expect from a “fascist.” The English guitar player’s band is known for songs such as “I Will Wait” and “Hopeless Wanderer.”
— Osman Faruqi (@oz_f) March 7, 2021
When I found out Mumford and Sons are Nazis: pic.twitter.com/pfJEGqHsUu
— Fat Vanilla Ice (@hobbsisme) March 6, 2021
Others pointed to the faux social media outrage as mere evidence of the Left’s intolerance and fanaticism.
Congratulations to @MrWinMarshall for showing us, once again, that the people who claim to be "tolerant", "kind" and "open-minded" are the most illiberal, hateful and intolerant around. I'll be going to as many of his concerts as possible.
— Konstantin Kisin (@KonstantinKisin) March 7, 2021
Ngo has been forced to flee the United States under a constant barrage of Antifa threats in recent months, with the street terror group determined to silence Ngo’s reporting on consistent property damage, anarcho-tyranny, and violent crime in Portland and elsewhere.
Unfortunately, Marshall has since deleted the tweet. It’s considered impossible to get anywhere in the mainstream music industry if you haven’t cravenly bowed before the false gods of ultraliberalism and identity leftism. While Marshall took a risk in even saluting Ngo’s work in the first place, he unfortunately appears to have backed down, to a degree, a sad lamentation of the state of mainstream entertainment and corporate culture.
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