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Taylor Swift Slams George Soros for Exploiting Copyrights Over Her Music

Swift is in an ongoing legal battle over the rights to her own music.

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Singer and performer Taylor Swift slammed billionaire oligarch George Soros for a series of lawsuits from record companies blocking her from performing her own music, holding the liberal ultra-donor responsible for lording over copyrights.

Swift was speaking at Billboard’s Women in Music Event Friday. She was given a Woman of the Decade award by the entertainment industry organization.

Swift has been in a running feud with record companies that possess the copyrights to her music for a few months now. The dispute started when a record company executive named Scooter Braun purchased copyrights to her music from a previous company and began prohibiting her from performing her music live at awards shows.

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She revealed that Braun had recently sold the copyrights to her music to Ithaca Holdings, a front group owned by the widely feared oligarch known for running elaborate interference operations in the national politics of at least several countries.

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Ithaca Holdings is evidently still blocking Swift from performing her music live at awards shows. Copyrights to Taylor Swift’s widely popular music are a valuable commodity, and it’s not surprising that Soros is coveting them closely.

The singer and songwriter blasted what she referred to as “toxic male privilege” on the part of the music executives lording over the copyrights to her songs, also naming the Soros family for refusing to yield the rights to her music.

This just happened to me without my approval, consultation or consent. After I was denied the chance to purchase my music outright, my entire catalog was sold to Scooter Braun’s Ithaca Holdings in a deal that I’m told was funded by the Soros family, 23 Capital and that Carlyle Group.

Yet, to this day, none of these investors have bothered to contact me or my team directly — to perform their due diligence on their investment. On their investment in me. To ask how I might feel about the new owner of my art, the music I wrote, the videos I created, photos of me, my handwriting, my album designs.”

It is somewhat rich to hear Swift- an international celebrity with a net worth in the hundreds of millions- pose as if she were a victim of powerful forces. She’s probably one of the most privileged people on Earth. It comes as no small irony to see her supposedly “victimized” over copyright violations by one of the most dangerous liberal oligarchs on Earth, while adopting a nominally progressive tone to express her plight.

Hollywood

‘Ghostbusters’ Director Blames Hillary Clinton’s Unpopularity for Failure of All-Female Franchise Reboot

Maybe your movie just stunk, dude.

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Nearly four years later, the all-female reboot of ‘Ghostbusters’ is now remembered as one of the worst atrocities in the history of cinema, and director Paul Feig is blaming anti-Hillary Clinton backlash for its failure.

“I think some really brilliant author … needs to write a book about 2016 and how intertwined we were with Hillary [Clinton] and the anti-Hillary movement,” Feig said while appearing on SiriusXM radio last week.

“Everyone was at a boiling point. I don’t know if it was having an African American president for eight years that teed them up, they were just ready to explode,” he added.

Feig is desperate to make excuses for his movie’s failure, rather than take personal responsibility for creating one of the worst movies in film history.

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“It’s crazy how people got nuts about women trying to be in power or be in positions they weren’t normally in,” Feig said. “It was an ugly, ugly year.”

The fake news media has been pushing the line that sexism doomed the movie since its historic failure at the box office during its summer 2016 release. However, ‘Ghostbusters’ creator Ivan Reitman believes that it was nostalgia that caused the backlash, not sexism. Viewers did not want to watch a ‘Ghostbusters’ reboot that was seemingly blasphemous to the original.

“I think there’s way too much talk about gender [when it comes to this film],” Reitman said during an interview with Mashable. “I think that many of the people who were complaining were actually lovers of the [original] movie, not haters of women.”

Feig refuses to admit that his creation was so horrendous and even hopes to release a grueling 3.5 hour directors’ cut of the flick despite the fact that nobody wants to see it.

Because the movie was such a massive bomb, the cast has been scrapped and replaced with a new cast for the upcoming re-boot “Ghostbusters: Afterlife.” The initial trailer was released last year to rave reviews.

It can be seen here:

Actress Leslie Jones, who starred in the failed all-female reboot, whined about the new movie that is set for theaters in 2021 for completely sweeping her movie under the rug. Similar to her director, she blamed Trump because everyone hated her awful movie.

Feig and Jones, in true liberal fashion, have refused to own up to their own failures. They will continue to create scapegoats instead of admitting the obvious about their horrendous movie that failed spectacularly in its feminist agenda of female empowerment.

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