HBO debuted Watchmen this past weekend, and viewers are rejecting it largely due to its violent, anti-white content.
The initial scene of the show featured an instance of racist violence by whites against blacks in Tulsa, OK, which sets the stage for the series that is meant to demonize white people as monsters – a typical leftist trope seen throughout the mainstream media in the age of President Donald Trump.
“What’s happened is that Trump has just emboldened people. They were always there, feeling the way they’ve been feeling, but now, oh my gosh,” Watchmen actress Regina King said in an interview.
“No one wants their filthy past, their dirty little secret, to come out. A lot of people in these positions of power – white men – don’t even realize it was a problem, or something you should feel embarrassed about,” she added.
The show creator Damon Lindelof, who also created Lost and The Leftovers, has said publicly that he made the show to be as “woke” as possible.
“When I started to think about what ‘Watchmen’ was going to be, trying to think about it in the original source material, the book was highly political,” Lindelof said to the Television Critics Association this summer. “What in 2019 is the equivalent of the nuclear standoff between Russia and the U.S.? It felt like it was undeniably race and policing in America.”
“This show is trolling the white savior,” he added.
The vehemently anti-white show was panned by audiences following its first episode. It has received a rotten favorability rating of 43 percent from viewers, which has prompted the woke media to blame “right-wing trolls” for the show being incredibly unpopular with fans.
Esquire blamed “manbabies” for the show being received negatively:
After its premiere on HBO Sunday, more than 1,000 users have taken to Rotten Tomatoes (more than 5,000 on IMDB) to review Watchmen, where it currently has a 98 percent from critics and an audience score of 45 percent. This type of audience/critic disparity is a pretty common occurrence with these types of highly anticipated comic adaptations, where manbabies will tank a series or film’s review aggregations, complaining about a perceived political agenda or efforts to have a more diverse cast…
It’s disturbing that people find the thesis of “White Supremacy Is Bad” to be a Social Justice Warrior agenda. White supremacy is bad—and it’s heartbreaking that this is not a universal truth in 2019…
The only good thing about this review bombing is that Lindelof entirely anticipated it from trolls. His series was made to piss people off—like Moore’s comics did.
Vox attempted to lecture the audience as to why they should like the show despite it’s heavy-handed political agenda:
People with power putting themselves above the law and inflicting their brand of “justice” has punctuated America’s history. And as was the case during the riots in Tulsa, and others like them in Chicago, Atlanta, and Los Angeles, the people who are in power has always been directly tied to race…
Through this lens, it’s both harder and more uncomfortable to ignore abuses of power. Watchmen on HBO makes it clear who holds that power in America’s history (traditionally white men), and for viewers who share these scions’ skin color and gender, the impact of racial supremacy on this superhero society can be a painful truth to contend with. The Watchmen TV show relentlessly emphasizes that white people’s abuse of power has shaped the lives of everyone around them, particularly those who are not white and powerful.
What bears repeating is that Lindelof’s adaptation might be a bit more difficult and uncomfortable, but it’s essentially telling the same story of power politics that Moore was. It’s just that in 2019, Watchmen’s alternate America isn’t quite as far away from our own.
However, it appears that the official critics and media pundits are in an echo chamber that is largely divorced from popular perception
An analysis from YouTube vlogger Nerdrotic breaks down the relatively low ratings for Watchmen during its HBO debut, how the show deviates wildly from the comic book’s source material to push a left-wing agenda, and the difference in the official critics’ reception of Watchmen in comparison to Joker – which is now the highest grossing R-rated film in history – despite Watchmen being far more violent and politically charged.
As the entertainment industry gets more heavy-handed to promote their leftist, anti-white agenda, the backlash is only increasing, as ordinary people are getting sick of being lectured to by hypocritical Hollywood elitists.
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Movie Director Steven Spielberg’s Daughter Announces Porn Career: It Is ‘Satisfying My Soul’
These are Hollywood values right here.
Movie director Steven Spielberg, who has directed iconic movies such as “Jaws,” “Schindler’s List,” and “ET,” has a 23-year-old adopted daughter, Mikaela, who recently announced that she will be starring in porno movies.
Mikaela made the announcement that she is a porno actress after she wasn’t getting much traction in the business before people knew she was Spielberg’s daughter. There is little to no resemblance between Mikaela and her father or her mother, Kate Capshaw, as she was adopted by the couple as a baby.
Mikaela maintains that this is a move of “empowerment,” and hopes to gain her stripper’s license in Tennessee and begin working the pole in a matter of time as well. She claims she made the decision to do porno after she “got really tired of not being able to capitalize on my body and, frankly, I got really tired of being told to hate my body.”
Her decisions seem to stem from deep-seeded mental problems. She also mentioned that she has suffered from eating disorders, depression, and severe anxiety throughout her life, which perhaps have led her down the road of becoming a porno actress.
“It’s not my parents’ fault,” Mikaela told the U.S. Sun, referring to her variety of mental problems, which have resulted in multiple suicide attempts and alcoholism. “They couldn’t have known.”
Mikaela believes that doing porn and becoming a stripper is about “satisfying [her] soul,” as she believes that sex work will liberate her from the 9-to-5 grind and not make her feel violated.
“And I also just got tired of working day to day in a way that wasn’t satisfying my soul,” she said. “I feel like doing this kind of work, I’m able to ‘satisfy’ other people, but that feels good because it’s not in a way that makes me feel violated.”
Mikaela claims that she will only do solo work while starring in porn films, out of reverence for her fiancé, Chuck Pankow, who is more than double her age. She maintains that this is about independence, rather than desperation. She wraps her decision to degrade herself in feminist platitudes.
“This isn’t like an ‘end of the road’ or ‘I’ve hit bottom’ choice,” she said. “This is a positive, empowering choice. I realized there is no shame in having a fascination with this industry and wanting to do something that is safe, sane, consensual.”
Showing the example of the type of family values embodied by her Hollywood parents, Mikaela believes her parents will be proud of the fact that she is an emerging porn star.
“I actually think that once they see how far I’ve come from the bottom I was at a year and a half ago, they’re going to look at this and go, ‘Wow, we actually raised a really self-assured young lady,” she said.
As Hollywood liberals like Spielberg use their movies to lecture Americans on values and morality, their own daughters are selling their body for cash. It really shows the type of cultural cesspool that the entertainment industry has become, and perhaps always has been.
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