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Michael Moore’s “Fahrenheit 11/9” Flops in Box Office Opening Night

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According to the Hollywood Reporter, leftist activist Michael Moore’s newest film, an anti-Trump flick, flopped on its opening night in the box office Friday.

“Unless traffic picks up, Fahrenheit 11/9  is headed for an eighth-place finish with $3 million-debut from 1,719 theaters (pre-release tracking had suggested at least $5 million-$6 million),” the report said.

This is a far cry from Moore’s previous films, suggesting that the public might be growing wary of the rabid leftist filmmaker.

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“In 2004, Moore’s Fahrenheit 9/11 debuted to a record-breaking $23.9 million from 868 locations,” the report continued. “Otherwise, his films, similar to other political or specialized docs, have launched first in select theaters before expanding their footprint in order to capitalize on word of mouth.”

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The film debuted at the Toronto film festival (fitting) and paints reportedly paints President Donald J. Trump as an authoritarian dictator akin to Adolf Hitler. With the originality, it is easy to see why Moore’s film is not flourishing.

Moore bowed down to his progressive heroes in Canada, bashing the United States as a “follower” on the world stage.

“One of the good things about us is we eventually come around,” he said. “The problem is we are slow learners. Look at all these little things you guys [Canadians] do first. Whether it’s gay marriage or marijuana or whatever … we will follow you. Eventually. But it’s got to be frustrating to look at it from afar, and to see how long it takes us.”

Hollywood

BIZARRE: Hulu Developing Alternate History Show Where Hillary Clinton Wins the Presidency

Dream on, liberals.

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The streaming video service Hulu is developing a show featuring an alternative history timeline in which Hillary Clinton became President.

The show will be based on Curtis Sittenfeld’s book “Rodham,” a fiction book about Hillary never meeting Bill and then becoming President on her own merits.

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Variety describes the show as “telling the story of an ambitious young woman, developing her extraordinary mind in the latter part of the 20th century, moving from idealism to cynicism and all the way back again.”

Sarah Treem, who co-created the series “The Affair,” and also worked on “In Treatment,” “House of Cards,” and “How to Make It in America,” will be writing and executive producing on the show. Executive producer Warren Littlefield, The Littlefield Company, and Fox 21 Television Studios will also be involved with the project.

Big League Politics has reported on how Hillary and her daughter, Chelsea, are setting their sights on Hollywood to keep their disgraced family’s image in the limelight:

Hillary Clinton is set to launch her own film and TV production company with her daughter Chelsea, according to reporting from Bloomberg.

The Clinton film studio will reportedly feature stories “by and about women.” It’s likely the neoliberal political dynasty would publish content with an abundance of feminist themes, as if Hollywood was failing to produce enough already.

The plan by the Clintons to enter the world of film and television could finally signal their departure from American political life. The family has been a de facto presence in national politics since the early 1990’s, although they’ve been forced into an early retirement of sorts after Hillary’s defeat in the 2016 Presidential election.

The Obama family is engaged in a similar venture, having entered into a film production contract with streaming giant Netflix. It may not be entirely coincidental for the Clintons to follow along a similar path, having a long-standing rivalry with Obama dating back to the 2008 Democratic Primary. Then-Senator Obama defeated Hillary in a contest for the Democratic nomination, running on an anti-war platform he would forget upon arriving in office.

The Clintons and Obamas have every right to add their voices to an already saturated market of culturally progressive and lecture-full film production. However, now that they’ve largely departed the national political scene, they may be surprised to find out that the American people feel no obligation to pay them any attention.

“Rodham” will be more entertainment designed to deranged liberal cat ladies who cannot accept that Donald Trump is their president.

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